Skip to content
1981
Violence, Part 2
  • ISSN: 2040-3682
  • E-ISSN: 2040-3690

Abstract

This publication presents a selection of photographic work by Hilde Honerud, made in collaboration with Yoga and Sports with Refugees (YSR) in Lesbos, Greece. It is introduced by a text coauthored with Jon Honerud. In order to engage with the experiences and the vulnerable position of the refugees involved, this project used increasingly apparent formal manipulations to convey an experience beyond the documentary image and to push observers to question the objectivity of images; to move from representation to immediate experience. This entailed a kind of violence to the images that could only be done after spending a long time getting to know the organization and its context. The process raised a number of ethical questions, which we attempt to address in the text accompanying these images. The selection of images published here were part of the exhibition , at the Vestfold Art Centre, Tonsberg, Norway (9 June–10 July 2022).

Loading

Article metrics loading...

/content/journals/10.1386/pop_00072_7
2024-01-18
2024-12-10
Loading full text...

Full text loading...

References

  1. Ahlin, D. and Benzler, B. (2017), Svenska folket om ‘fejk nyheter’, IPSOS, http://tu.se/wp-content/uploads/2017/02/Ipsos_analys_TU_Fejk-nyheter-24-feb-2017.pdf. Accessed 23 September 2023.
    [Google Scholar]
  2. Barthes, Roland (1977), Image – Music – Text (trans. S. Heath), Glasgow: Fontana Press.
    [Google Scholar]
  3. Bazin, André (1967), What is Cinema? Volume I (trans. H. Gray), Berkeley, CA: University of California Press.
    [Google Scholar]
  4. Bollmer, Grant (2017), ‘Empathy machines’, Media International Australia, 165, pp. 6378.
    [Google Scholar]
  5. Bollmer, Grant and Guinness, Katherine (2020), ‘Empathy and nausea: Virtual reality and Jordan Wolfson’s Real Violence’, Journal of Visual Culture, 19:1, pp. 2846.
    [Google Scholar]
  6. Brandtzaeg, Petter B. and Følstad, Asbjørn (2017), ‘Trust and distrust in online fact-checking services’, Communications of the ACM, 60:9, pp. 6571.
    [Google Scholar]
  7. Brett, Donna West and Lusty, Natalya (2019), Photography and Ontology, Abingdon: Routledge.
    [Google Scholar]
  8. Campt, Tina M. (2017), Listening to Images, Durham, NC: Duke University Press.
    [Google Scholar]
  9. Carlson, Matt (2009), ‘THE REALITY OF A FAKE IMAGE: News norms, photojournalistic craft, and Brian Walski’s fabricated photograph’, Journalism Practice, 3:2, pp. 12539.
    [Google Scholar]
  10. Hand, Martin (2012), Ubiquitous Photography, Cambridge: Polity Press.
    [Google Scholar]
  11. Honerud, Hilde and Honerud, Jon (2023), ‘Fractured photography’, Journal for Artistic Research, 29, n.pag.
    [Google Scholar]
  12. Irby, Kenneth (2003), ‘LA Times photographer fired over altered image’, Poynter, https://www.poynter.org/reporting-editing/2003/l-a-times-photographer-fired-over-altered-image/. Accessed 23 September 2023.
  13. Lewis, Sarah (2019), ‘The racial bias built into photography’, New York Times, 25, p. 478.
    [Google Scholar]
  14. May, John (2019), Signal, Image, Architecture: Everything is Already an Image, New York: Columbia University Press.
    [Google Scholar]
  15. Mennicken, Andrea and Espeland, Wendy N. (2019), ‘What’s new with numbers? Sociological approaches to the study of quantification’, Annual Review of Sociology, 45, pp. 22345.
    [Google Scholar]
  16. Schwartz, Dona (1992), ‘To tell the truth: Codes of objectivity in photojournalism’, Communication, 13:2, pp. 95109.
    [Google Scholar]
  17. Wolfson, Jordan (2017), Real Violence, USA: Whitney Biennial.
    [Google Scholar]
/content/journals/10.1386/pop_00072_7
Loading
/content/journals/10.1386/pop_00072_7
Loading

Data & Media loading...

This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error