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1981
Volume 24, Issue 47
  • ISSN: 0845-4450
  • E-ISSN: 2048-6928

Abstract

Abstract

The 2012 Alternativa artistic project in Gdánsk emphasized the need for the return to material stability, approaching the field of the political from the perspective of a tactile and concrete point of view. Rather than absorbing the artistic positions, or the theories underpinning them, one could approach the exhibition as a process for the appraisal of a model. Alfredo Cramerotti’s response takes the form of delineating four types of models that correspond to four artistic positions that struck him as the most compelling: Partizan Publik and Arne Hendricks, Mateusz Herczka, Hiwa K and Lawrence Abu Hamdan.

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/content/journals/10.1386/public.24.47.239_5
2013-07-01
2024-05-29
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