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Volume 24, Issue 47
  • ISSN: 0845-4450
  • E-ISSN: 2048-6928



The 2012 Alternativa artistic project in Gdánsk emphasized the need for the return to material stability, approaching the field of the political from the perspective of a tactile and concrete point of view. Rather than absorbing the artistic positions, or the theories underpinning them, one could approach the exhibition as a process for the appraisal of a model. Alfredo Cramerotti’s response takes the form of delineating four types of models that correspond to four artistic positions that struck him as the most compelling: Partizan Publik and Arne Hendricks, Mateusz Herczka, Hiwa K and Lawrence Abu Hamdan.


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