Multiversal Embodiments: Immer Collective’s 100 Years of Cinematic Solitude in 300 Moving Pieces (2022)

This articles examines the 2022 choreographic work “100 Years of Cinematic Solitude in 300 Moving Pieces” by Canadian choreographer Jonathan Osborn and queries the degree to which superimposition - the placement of one thing over another, typically so that both are still evident - can go beneath the surface to challenge tacit understandings of that which is skin-deep.