Skip to content
1981
Volume 35, Issue 70
  • ISSN: 0845-4450
  • E-ISSN: 2048-6928

Abstract

In this review of Alexis Kyle Mitchell’s recent feature-length film, (2024), screened alongside the second Museum of Contemporary Art Toronto triennial, I consider the artist’s experimental engagements with sound, analogue film processing, and the human voice to narrate her family’s experiences with grief and disability. I also connect these inter-personal dynamics to broader urgencies, positing that the film asks us to be mindful of how we hold responsibility for one another, amidst interconnected global crises.

Loading

Article metrics loading...

/content/journals/10.1386/public_00226_4
2024-11-29
2026-04-21

Metrics

Loading full text...

Full text loading...

/content/journals/10.1386/public_00226_4
Loading
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error
Please enter a valid_number test