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“Codex República” is a film essay that navigates the enigmatic exploration of Cuban temporalities, weaving its atmosphere through the depths of history using archival images from the late 19th and early 20th centuries. With the introduction of cinema in Cuba by Gabriel Veyre in 1897, the illusory construction of a national imaginary began to take shape. In contemplating the mysterious forces that have shaped Cuban revolutions—and their inherent violence—the images encountered transcend mere documentation. Through the alchemy of slowed-down footage and a meditative soundscape, the film enchants, inviting the viewer into a phantasmagoric and metaphysical realm. In this ethereal territory, echoes of Walter Benjamin’s “angel of history” resound, offering a poignant reminder of the relentless march of time and the spectral traces it leaves behind.