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1981
Volume 3, Issue 1
  • ISSN: 2055-5695
  • E-ISSN: 2055-5709

Abstract

Abstract

‘Look right through me / Say I’m gloomy / Yea, so sue me [...] I’ve got to be direct / It’s like a big train wreck / You’re standing on my neck / You’re standing on my neck,’ sing post-grunge band Splendora, throughout the opening sequence to MTV’s popular 1990s cartoon series, Daria. Brooding, sarcastic, and surly, Daria Morgendorffer – a teenager and unapologetic misanthrope from the small, fictional town of Lawndale – has much to offer scholars of feminist negativity and queer anti-social theory. Following Lee Edelman’s rejection of a communitarian, heteronormative ‘politics of hope,’ this article seeks to theorize Daria as an important feminist killjoy and queer cynic; one who vehemently disavows the liberal humanist and capitalist-driven narratives of heroism, optimism, femininity and success that so often saturate teenage television programming. Lauding negativity’s ability to ‘poke holes in the toxic positivity of contemporary thinking’, as Jack Halberstam writes, this article is interested in the kinds of alternative imaginings that are produced by one’s refusal to ‘grow up’ and to ‘fit in’.

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/content/journals/10.1386/qsmpc.3.1.51_1
2018-03-01
2024-12-11
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