Monkey Man, Dev Patel (dir.) (2024), USA: BRON Studios and Monkeypaw Productions

References

1. Anzaldúa, Gloria (1987), Borderlands/La Frontera: The New Mestiza, San Francisco, CA: Aunt Lute Books.
   [Google Scholar]
2. Ganguly, Tuhina (2024), ‘The wonder of darshan: Going beyond the local and the national’, Studies in Religion/Sciences Religieuses, 53:1, pp. 93–112.
   [Google Scholar]
3. Harvard Divinity School (2018), ‘“The third gender and hijras”, religion and public life at Harvard Divinity School’, https://rpl.hds.harvard.edu/religion-context/case-studies/gender/third-gender-and-hijras. Accessed 29 May 2024.
4. Hussain, Salman (2019), ‘State, gender and the life of colonial laws: The hijras/khwajasaras’ history of dispossession and their demand for dignity and izzat in Pakistan’, Postcolonial Studies, 22:3, pp. 325–44.
   [Google Scholar]
5. Lutgendorf, Philip (1997), ‘Monkey in the middle: The status of Hanuman in popular Hinduism’, Religion, 27:4, pp. 311–32.
   [Google Scholar]
6. Patel, Dev (2024), Monkey Man, USA: BRON Studios and Monkeypaw Productions.
   [Google Scholar]
7. Saria, Vaibhav (2022), ‘Sexual conceits of the colonial state’, Gender & History, 34:1, pp. 293–304.
   [Google Scholar]
8. Stahelski, Chad (2014), John Wick, USA: Thunder Road Pictures.
   [Google Scholar]