Turkish Radio and TV Broadcasting Corporation’s new streaming application and the continuity of music policy as an educational institution

References

1. Algan, Ece (2003), ‘Privatization of radio and media hegemony in Turkey’, in L. Artz and Y. R. Kamalipour (eds), The Globalization of Corporate Media Hegemony New York: SUNY Press, pp. 169–94.
   [Google Scholar]
2. Arsan, Esra (2018), ‘Kurdish broadcasting via state TV in Turkey – Cultural diversity or government’s propaganda machine: The case of TRT6’, Catalan Journal of Communication & Cultural Studies, 10:1, pp. 3–24.
   [Google Scholar]
3. Balkılıç, Özgür (2009), Cumhuriyet Halk ve Müzik: Türkiye’de Müzik Reformu 1922–1952, Istanbul: Tan Yayınları.
   [Google Scholar]
4. Berry, Richard (2020), ‘Radio, music, podcasts – BBC Sounds: Public service radio and podcasts in a platform world’, Radio Journal: International Studies in Broadcast & Audio Media, 18:1, pp. 63–78.
   [Google Scholar]
5. Binark, Mutlu, Demir, Erman M., Sezgin, Serra and Özsu, Gökçe (2022), Türkiye’de Müzik Endüstrisinde Dijital Dönüşüm: Kültürel Üreticiler ve Platformlaşma Raporu, Ankara: Alternatif Bilişim Derneği Yayınları.
   [Google Scholar]
6. Borgman, Christine L. (2007), Scholarship in the Digital Age, Cambridge, MA: MIT Press, 6 June, http://archive.org/details/scholarshipindig00borg. Accessed 16 April 2022.
   [Google Scholar]
7. Cankaya, Özden (2015), Bir Kitle İletişim Kurumunun Tarihi TRT 1927–2000, Ankara: İmge.
   [Google Scholar]
8. Charles-Hatt, Rachell-Ann and Sayers, Thomas (2021), ‘Reframing public service radio: The case of BBC Sounds’, Radio Journal: International Studies in Broadcast & Audio Media, 19:2, pp. 291–309.
   [Google Scholar]
9. Gaw, Fatima (2021), ‘Algorithmic logics and the construction of cultural taste of the Netflix Recommender System’, Media, Culture & Society, 44:4, pp. 706–25.
   [Google Scholar]
10. Graham, Gary, Burnes, Bernard, Lewis, Gerard J. and Langer, Janet (2004), ‘The transformation of the music industry supply chain: A major label perspective’, International Journal of Operations and Production Management, 24:11, pp. 1087–103.
    [Google Scholar]
11. Güray, Cenk (2018), ‘Cumhuriyet Politikalarının Halk Müziğine Yaklaşımı: Bir Toplumsal Dönüşüm Modeli’, in F. Kutluk (ed.), Cumhuriyetin Müzik Politikaları, Istanbul: H20, pp. 15–45.
    [Google Scholar]
12. Gürman, Ela (2021), ‘Eskimeyen değer radyo ile nice yıllara’, TRTVizyon, S:380, pp. S28–S31.
    [Google Scholar]
13. İlaslan, Süleyman (2014), ‘Türkiye’de Radyonun Unutulan Sesleri: 1945–1980 Arasında Devlet Radyoları Dışında’, Akdeniz Üniversitesi İletişim Fakültesi Dergisi, 21, pp. 118–42.
    [Google Scholar]
14. İlaslan, Süleyman (2016), ‘Politika ve Piyasa Sınırları Bağlamında Kamu Hizmeti Yayıncılığı: Türkiye’de AKP Dönemi TRT Tartışmaları’, Mülkiye Dergisi, 40:2, pp. 67–100, https://dergipark.org.tr/tr/pub/mulkiye/issue/37409/432791. Accessed 23 June 2022.
    [Google Scholar]
15. Jenkins, Henry (2006), Convergence Culture: Where Old and New Media Collide, New York: New York University Press.
    [Google Scholar]
16. Jin, Dal Yong (2015), Digital Platforms, Imperialism and Political Culture, London: Routledge.
    [Google Scholar]
17. Kadıoğlu, Duru Su and Sözeri, Ceren (2021), ‘From the streets to the mainstream: Popularization of Turkish rap music’, Turkish Studies, 22:4, pp. 626–43.
    [Google Scholar]
18. Keskin, Alptekin and Binark, Mutlu (2021), ‘Türkiye’de k-pop karşıtı söylem ve k-pop hayranlarının taktiksel mücadelesi’, Moment Dergi, Erkeklikler 1, pp. 144–67.
    [Google Scholar]
19. Khalil, Joe and Mohamed, Zayani (2022), ‘Digitality and music streaming in the Middle East: Anghami and the burgeoning startup culture’, International Journal of Communication, 16, pp. 1532–50.
    [Google Scholar]
20. Kocabaşoğlu, Uygur (2010), Şirket Telsizinden Devlet Radyosuna, Istanbul: İletişim Yayınları.
    [Google Scholar]
21. Lasar, Matthew (2016), Radio 2.0 Uploading: The First Broadcast Medium, Santa Barbara, CA: Praeger.
    [Google Scholar]
22. Legard, Robin, Yeo, Alice, Keegan, Jill, Ward, Kit, McNaughton Nicholls, Carol and Lewis, Jane (2013), ‘In-depth interviews’, in J. Ritchie and J. Levis (eds), Qualitative Research Practice, London: Sage, pp. 138–69.
    [Google Scholar]
23. Lena, Funda (2021), Türkiye’nin Müzik Endüstrisinde Çeşitlilik, Istanbul: Kreska.
    [Google Scholar]
24. Light, Ben, Burgess, Jean and Duguay, Stefanie (2018), ‘The walkthrough method: An approach to the study of apps’, New Media & Society, 20:3, pp. 881–900.
    [Google Scholar]
25. Lin, Jian (2018), ‘Be creative for the state: Creative workers in Chinese state-owned cultural enterprises’, International Journal of Cultural Studies, 22:1, pp. 53–69.
    [Google Scholar]
26. Maasø, Arnt and Storstein Spilker, Hendrik (2022), ‘The streaming paradox: Untangling the hybrid gatekeeping mechanisms of music streaming’, Popular Music and Society, 45:3, pp. 300–16.
    [Google Scholar]
27. McGuigan, Jim (2004), Rethinking Cultural Policy, Maidenhead: Open University Press.
    [Google Scholar]
28. Miller, Toby and Yùdice, George (2002), Cultural Policy, London: Sage.
    [Google Scholar]
29. Morris, Jeremy W. (2015), ‘Curation by code: Infomediaries and the data mining of taste’, European Journal of Cultural Studies, 18:4–5, pp. 446–63.
    [Google Scholar]
30. Morrow, Guy and Li, Fangjun (2016), ‘The Chinese music industries: Top down in the bottom-up age’, in P. Wikström and R. DeFillippi (eds), Business Innovation and Disruption in the Music Industry, Cheltenham: Elgar.
    [Google Scholar]
31. Mulcahy, Kevin V. (2010), ‘Cultural policy: Definitions and theoretical approaches’, The Journal of Arts Management, Law, and Society, 35:4, pp. 319–30.
    [Google Scholar]
32. O’Brien, Dave (2014), Cultural Policy: Management, Value, and Modernity in the Creative Industries, London: Routledge.
    [Google Scholar]
33. Özdemir, Sinem (2018), ‘Türk Müziği Radyo Yasağı ve 1934 Medyası’, in F. Kutluk (ed.), Cumhuriyetin Müzik Politikalar, Istanbul: H20, pp. 165–202.
    [Google Scholar]
34. Öztürk, Bahar (2020), Dijital Radyo ve E-Dinleyici, Ankara: Akademisyen Kitabevi.
    [Google Scholar]
35. Shin, Solee (2017), ‘Niche, ethnic and global operations: Models of production and circulation of East Asian popular music’, European Journal of East Asian Studies, 16:1, pp. 5–35.
    [Google Scholar]
36. Steinberg, Marc (2020), ‘LINE as super app: Platformization in East Asia’, Social Media + Society, 6:2, https://doi.org/10.1177/2056305120933285.
    [Google Scholar]
37. Striphas, Ted (2015), ‘Algorithmic culture’, European Journal of Cultural Studies, 18:4–5, pp. 395–412.
    [Google Scholar]
38. Sümer, Burcu and Adaklı, Gülseren (2010), ‘Public service broadcaster as a market player: Changing operational patterns of the TRT in Turkey under the AKP Leadership, 2002–2010’, Public Service Media after Recession: RIPE 2010 Conference, 8–11 September, London, UK.
    [Google Scholar]
39. Sümer, Burcu and Taş, Oğuzhan (2020), ‘The regulation of television content in Turkey: From state monopoly to commercial broadcasting and beyond’, in Y. Kapta and E. Algan (eds), Television in Turkey: Local Production, Transnational Expansion and Political Aspirations, London: Palgrave Macmillan, pp. 27–46.
    [Google Scholar]
40. Tomlinson, John (2012), Cultural Imperialism: A Critical Introduction, London: Continuum.
    [Google Scholar]
41. Towse, Ruth (2020), ‘Dealing with digital: The economic organisation of streamed music’, Media, Culture & Society, 42:7–8, pp. 1461–78.
    [Google Scholar]
42. Tufan, Fırat (2009), ‘Radyo Dinleme Ölçümleri ve Program Planlamasındaki Rolü’, unpublished MS thesis, Istanbul: Istanbul University.
    [Google Scholar]
43. Turhan, Sencer (2020), ‘Medya Yöndeşmesi ve Müziğin Üretim, Tanıtım ve Dağıtım Kanallarında Yaşanan Dönüşüm: Dijital müzik Endüstrisi ve Bağımsız Müzik’, in G. Y. Cılızlıoğlu and A. Çetinkaya (eds), Ağ Toplumunda İletişim Pratikleri, Konya: Literatürk, pp. 333–70.
    [Google Scholar]
44. Vuopala, Anna (2010), Assessment of the Orphan Works Issue and Costs for Rights Clearance, European Commission, DG Information Society and Media, Unit E4 Access to Information, 47, May, http://cultivate-cier.nl/wp-content/uploads/2012/03/vuopala_report.pdf. Accessed 23 January 2023.
    [Google Scholar]
45. Yanardağoğlu, Eylem (2021), Transformation of the Media System in Turkey, Cham: Springer.
    [Google Scholar]
46. Yaren, Özgür, Saraçoğlu, Cenk and Karademir-Hazır, Irmak (2021), ‘The quest for cultural power: Islamism, culture and art in Turkey’, in J. Jongerden (ed.), The Routledge Handbook on Contemporary Turkey, New York: Routledge, pp. 418–31.
    [Google Scholar]
47. Yeşil, Bilge (2016), Media in New Turkey: The Origins of an Authoritarian Neoliberal State, Urbana, IL: University of Illinois Press.
    [Google Scholar]