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Volume 1, Issue 1
  • ISSN: 2052-4013
  • E-ISSN: 2052-4021

Abstract

Abstract

Sally E. Dean has led the Somatic Movement, Costume & Performance Project in collaboration with costume designers/visual artists Sandra Arròniz Lacunza and Carolina Rieckhof since 2011. This project offers an alternative costume design methodology that starts from the body or ‘soma’ (i.e. a sentient, perceiving person), whereby perception is inherently active and relational. This approach is thus multi-sensorial, somatic and holistic, and is based upon Sally’s background as a somatic practitioner, performer, performance-maker and teacher. This visual essay gives examples from the project’s design approach, working with a live, moving and multi-sensorial body to create Somatic CostumesTM through co-creation, collaboration and participation. Costume designers are actively engaged in trying on materials and costumes through all stages of the process in order to answer the following overarching question: what are the materials/costumes doing to the body (i.e. body image and body schema)? Through these experiential methodologies, the project aims to return and relocate the body into the costume design process.

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/content/journals/10.1386/scp.1.1.97_1
2016-04-01
2024-07-21
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/content/journals/10.1386/scp.1.1.97_1
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  • Article Type: Article
Keyword(s): collaboration; costume design; live body; performance; sensorial; somatic
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