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Volume 9, Issue 1
  • ISSN: 2052-4013
  • E-ISSN: 2052-4021

Abstract

This article presents the research behind the creation of the audio-visual work , produced during the COVID-19 pandemic in 2021. Based on the fusion of life and art, this work develops in a hybrid territory between visual art, performance and cinema, and all the boundaries between these artistic languages become fluid. What stands out and is interesting to discuss in this process is the poetics of the materialities, ingrained in the costumes, sets, masks, puppets and their agency in the construction of sensorial and symbolic scenic writing. In , these elements are handmade and carry meanings that are communicated both through their formal constitution (the visible) and their poetic aspects, the order of the invisible. They are used not only as decorative elements but also as means of subjectivation, transforming the atmosphere and establishing an affective relationship with the viewer, stimulating abstract fields of appreciation.

© 2024 Intellect Ltd
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/content/journals/10.1386/scp_00108_7
2024-07-29
2024-10-10
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References

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Farewell: Itineraries of the Wind: Building a scenic writing between the visible and the invisible
Studies in Costume & Performance 9, 49 (2024); https://doi.org/10.1386/scp_00108_7
/content/journals/10.1386/scp_00108_7
/content/journals/10.1386/scp_00108_7
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  • Article Type: Article
Keyword(s): cinema; costume; creative process; hybrid art forms; masking; performative body; theatre; visual art

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