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Costume and Character in Film and Television
  • ISSN: 2052-4013
  • E-ISSN: 2052-4021

Abstract

Review of: , curated by Jenny He, Collaboration with Tim Burton and Adapted by Maria Mclintock, Design Museum, London, 25 October 2024–26 May 2025

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/content/journals/10.1386/scp_00151_5
2025-12-19
2026-04-21

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References

  1. Dressing Above Your Station (2022), Tramway, Glasgow, 31 March–26 June 2022, https://dressingaboveyourstation.com/. Accessed 1 February 2025.
  2. From Pattern to Polygon (2022), Centraal Museum Utrecht, Utrecht, 23 April–19 June, https://www.centraalmuseum.nl/en/exhibitions/utrecht-lokaal-van-pasvorm-tot-polygon. Accessed 1 February 2025.
  3. Isaac, V. (2017), ‘Towards a new methodology for working with historic theatre costume: A biographical approach focussing on Ellen Terry’s “Beetlewing dress”’, Studies in Costume & Performance, 2:2, pp. 11535, https://doi.org/10.1386/scp.2.2.115_1.
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  6. Spooner, C. (2013), ‘Costuming the outsider in Tim Burton’s cinema, or, why a corset is like a codfish’, in J. Weinstock (ed.), The Works of Tim Burton: Margins to Mainstream, New York: Palgrave Macmillan, pp. 4763.
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  7. The Secret Life of Textiles: Synthetic Materials (2017), The Met, New York City, 6 March–25 September, https://www.metmuseum.org/exhibitions/listings/2017/secret-life-of-textiles-synthetic. Accessed 1 February 2025.
  8. Tim Burton Exhibition Drives Biggest Advance Ticket Sales in Design Museum’s History (2024), Design Museum, London, 23 October, https://designmuseum.org/press-office#the-world-of-tim-burton. Accessed 1 February 2025.
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  9. Davies, C. (2022), ‘One of the thorny kind: The Red Queen’s organic armour in Alice through the Looking Glass (2016)’, Studies in Costume & Performance, 7:2, pp. 21325, https://doi.org/10.1386/scp_00075_1.
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/content/journals/10.1386/scp_00151_5
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  • Article Type: Other review
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