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1981
Volume 1, Issue 2
  • ISSN: 2042-7824
  • E-ISSN: 2042-7832

Abstract

Abstract

This essay places Alumbramiento in the context of Spanish cinema after 1960. Narrative and formal analysis focus on strategies to make dual metaphors of death and birth converge within the film as a family is brought closer together and renewed during the mother's final hours.

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/content/journals/10.1386/sfs.1.2.207_1
2011-02-01
2024-07-13
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