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1981
Volume 1, Issue 2
  • ISSN: 2042-7824
  • E-ISSN: 2042-7832

Abstract

Abstract

This article examines resonances in popular culture of the location where Derailment is shot. It situates the use of close-ups within surrealist and other aesthetics. It asks how we reread the text in the knowledge of recent terrorist atrocities. By comparing Derailment with other short films, it also queries the sexuality of the glance.

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/content/journals/10.1386/sfs.1.2.239_1
2011-02-01
2024-06-13
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/content/journals/10.1386/sfs.1.2.239_1
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  • Article Type: Article
Keyword(s): cruising; flirting; Métro; Porte des Lilas; Serge Gainsbourg; terror
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