Volume 1, Issue 2

Abstract

Abstract

This essay explores the ways in which Derailment evokes - primarily in light and sound - the air of the Paris Métro: the distinctive scent of the subway system, the movement of air through tunnels, platforms and carriages, and the sharing of that air with others who move through the space.

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/content/journals/10.1386/sfs.1.2.245_1
2011-02-01
2024-03-28
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http://instance.metastore.ingenta.com/content/journals/10.1386/sfs.1.2.245_1
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Keyword(s): affect; breath in cinema; haptic cinema; multisensory cinema; smell in cinema; Unni Straume

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