He, she, the camera, the movie: chains of enunciation and spaces of undecidability in Derailment | Intellect Skip to content
1981
Volume 1, Issue 2
  • ISSN: 2042-7824
  • E-ISSN: 2042-7832

Abstract

Abstract

This article will concentrate on the problem of the film's distribution of so-called epistemic competence. It will analyse the film's carefully mounted spaces of undecidability where focalization, authorial/personal narration and (enounced) enunciation as a whole are concerned.

Loading

Article metrics loading...

/content/journals/10.1386/sfs.1.2.251_1
2011-02-01
2024-04-19
Loading full text...

Full text loading...

http://instance.metastore.ingenta.com/content/journals/10.1386/sfs.1.2.251_1
Loading
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error