Volume 1, Issue 2

Abstract

Abstract

This article will concentrate on the problem of the film's distribution of so-called epistemic competence. It will analyse the film's carefully mounted spaces of undecidability where focalization, authorial/personal narration and (enounced) enunciation as a whole are concerned.

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/content/journals/10.1386/sfs.1.2.251_1
2011-02-01
2024-03-29
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http://instance.metastore.ingenta.com/content/journals/10.1386/sfs.1.2.251_1
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Keyword(s): aesthetic analysis; enunciation/utterance; epistemic competence; focalization; rhetoric of narrative; spacial undecidability

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