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1981
Volume 1, Issue 2
  • ISSN: 2042-7824
  • E-ISSN: 2042-7832

Abstract

Abstract

This essay explores the political and religious conflicts embedded in the film. In particular, I focus on how British, American and Irish Protestant (Swiftian) influences assault the traditional Irish Catholic ethos. I argue that the allusion to Swift suggests that neither modernity nor tradition encapsulates the desired state of being.

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/content/journals/10.1386/sfs.1.2.283_1
2011-02-01
2024-09-09
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/content/journals/10.1386/sfs.1.2.283_1
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  • Article Type: Article
Keyword(s): Catholic; Kubrick; McLuhan; modernity; Swift; tradition
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