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Straight lines and circles
- Source: Short Film Studies, Volume 1, Issue 2, Feb 2011, p. 307 - 310
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- 01 Feb 2011
Abstract
Abstract
A gendered distinction between straight lines and circles offers a way of approaching the aesthetic choices that underpin Sunday. The situation of the crucial close-up in an alternative temporal and spatial register highlights the film's implicit tension between a 'feminized' space and a 'masculine' regime of narrative law and order.
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