Volume 1, Issue 2

Abstract

Abstract

A gendered distinction between straight lines and circles offers a way of approaching the aesthetic choices that underpin Sunday. The situation of the crucial close-up in an alternative temporal and spatial register highlights the film's implicit tension between a 'feminized' space and a 'masculine' regime of narrative law and order.

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/content/journals/10.1386/sfs.1.2.307_1
2011-02-01
2024-03-29
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http://instance.metastore.ingenta.com/content/journals/10.1386/sfs.1.2.307_1
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Keyword(s): circular; gender; linear; narrative; space; time

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