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1981
Volume 2, Issue 2
  • ISSN: 2042-7824
  • E-ISSN: 2042-7832

Abstract

Wind is a multi-faceted work, open to many interpretations while remaining elusive. Much in the film can be seen as relating to various war crime scenarios, but nothing is definite. The film, in its essence, interrogates the problematique of visual material as evidence.

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/content/journals/10.1386/sfs.2.2.197_1
2012-02-18
2026-04-12

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/content/journals/10.1386/sfs.2.2.197_1
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  • Article Type: Article
Keyword(s): ambiguity; evidence; film-making; visual; war crimes; witness
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