Volume 4, Issue 2

Abstract

Abstract

The primary source of terror in Body Memory emerges from the lack of materiality underneath the unravelling body. Using Gilles Deleuze and Felix Guattari’s concept of the ‘body-without-organs’ this article discusses the biopolitical implications of representing the body as an assemblage of string.

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/content/journals/10.1386/sfs.4.2.167_1
2014-10-01
2024-03-29
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http://instance.metastore.ingenta.com/content/journals/10.1386/sfs.4.2.167_1
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Keyword(s): animation; body-without-organs (BwO); Felix Guattari; Gilles Deleuze; Pikkov

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