The non-human and affect in Seven Minutes in the Warsaw Ghetto

Victoria Grace Walden

doi:10.1386/sfs.4.2.203_1

ISSN: 2042-7824
E-ISSN: 2042-7832

The non-human and affect in Seven Minutes in the Warsaw Ghetto
By Victoria Grace Walden¹
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¹ University of London
Source: Short Film Studies, Volume 4, Issue 2, Oct 2014, p. 203 - 206
DOI: https://doi.org/10.1386/sfs.4.2.203_1
Language: English
- Published online: 01 Oct 2014

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Abstract

Seven Minutes in the Warsaw Ghetto uses non-human figures and a non-realist aesthetic to engage us in an affective, embodied experience. Our momentarily tragic encounter with history is shaped by difference and otherness and thus we sense our distance from the past while glancing at a history we cannot grasp.

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2014-10-01

2025-03-18

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Article Type: Article

Keyword(s): Holocaust animation; non-human; phenomenology; textural analysis; the body; uncanny

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The non-human and affect in Seven Minutes in the Warsaw Ghetto

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