On Kieslowski’s Urzad/The Office

Richard Raskin

doi:10.1386/sfs.5.1.16_1

ISSN: 2042-7824
E-ISSN: 2042-7832

On Kieslowski’s Urzad/The Office
By Richard Raskin
Source: Short Film Studies, Volume 5, Issue 1, Apr 2015, p. 16 - 20
DOI: https://doi.org/10.1386/sfs.5.1.16_1
Language: English
- Published online: 01 Apr 2015

Previous Article
Table of Contents
Next Article

Abstract

This article focuses on production issues relating to the shoot, the disjunction of sound and image, several interpretive parameters, and the running time of Urzad.

Article metrics loading...

/content/journals/10.1386/sfs.5.1.16_1

2015-04-01

2024-09-07

Full text loading...

/content/journals/10.1386/sfs.5.1.16_1

Article Type: Article

Keyword(s): disjunction of sound and image; hidden camera; Polish society; power relationships; running time

Most Cited Most Cited RSS feed

- Bullet in the Brain
  
  By David Von Ancken
- A decade devoted to the art of the short film
  
  By Per Fikse
- Mr K meets Modern Times: Intertextual closure in La Vis
  
  By Martin P. Rossouw
- On the edge of alienation: La Vis
  
  By Burcu Dabak Özdemİr
- Shifting perspectives in La Vis
  
  By Christophe Gelly
- Spectatorship and affective investment in La Vis
  
  By Richard Neupert
- The power of language
  
  By Jacques Lefebvre-Linetzky
- Verfremdung/Entfremdung and modernism: ‘Pseudo-language’ in La Vis
  
  By Bjørn Sørenssen
- The climax of the show
  
  By Sébastien Simon
- Andy Warhol Eating a Hamburger as part of the universe of art¹
  
  By Kim Kristensen
More Less

On Kieslowski’s Urzad/The Office

Abstract

Most Read This Month

Most Cited Most Cited RSS feed