Volume 5, Issue 1

Abstract

Abstract

The film was shot under the strong influence of its artistic supervisor, Kazimierz Karabasz, the leading documentary film-maker in Poland of 1960s. Like Karabasz in his short docs, Kieslowski decided to film a cyclically repeating event, allowing for penetrating enquiry before shooting and writing a detailed script.

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/content/journals/10.1386/sfs.5.1.31_1
2015-04-01
2024-03-28
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http://instance.metastore.ingenta.com/content/journals/10.1386/sfs.5.1.31_1
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Keyword(s): Communism; documentary; Karabasz; observation; style; totalitarian

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