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1981
Volume 6, Issue 1
  • ISSN: 2042-7824
  • E-ISSN: 2042-7832

Abstract

Abstract

In this article I argue that On Suffocation relies on paratexts in order to articulate what I take to be its most important message. I foreground a few of these paratexts, especially Facebook postings and a festival Q&A session, in order to illustrate the ways in which they contribute to the film’s meaning.

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/content/journals/10.1386/sfs.6.1.113_1
2016-04-01
2024-12-09
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/content/journals/10.1386/sfs.6.1.113_1
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  • Article Type: Article
Keyword(s): Facebook; film festivals; interpretation; LGBT rights; marketing; paratexts
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