1981
Volume 7, Issue 1
  • ISSN: 2042-7824
  • E-ISSN: 2042-7832

Abstract

Abstract

I analyse The Beach through the concept of exposure – both its overexposed aesthetic and the exposure among the characters as the film unravels. Gendering the idea of ex-peau-sition (Jean-Luc Nancy), I posit a form of feminine writing both through the skin (peau) of the film and the skin of Anne.

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/content/journals/10.1386/sfs.7.1.41_1
2017-04-01
2023-02-05
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