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- ISSN: 2042-7824
- E-ISSN: 2042-7832
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Sound versus image in It Can Pass Through the Wall and M
- Source: Short Film Studies, Volume 7, Issue 2, Oct 2017, p. 169 - 172
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- 01 Oct 2017
Abstract
Abstract
Sound and image compete in It Can Pass Through the Wall, as in Fritz Lang’s M (1931), to create tension between what is seen and what is heard. This disconnect between image and sound draws attention to the limits of the visual and the possibilities of the audible.
© Intellect