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1981
Volume 7, Issue 2
  • ISSN: 2042-7824
  • E-ISSN: 2042-7832

Abstract

Abstract

A patient and somewhat disturbing camera in Jude’s film turns the coming-of-age tale into a ghost story. Is the innocent girl, surrounded by drunk and indifferent old men-children, aware of this ‘other presence’? As ‘seeing’ is one of the basic themes in this film, this article will analyse its intrusive and seductive point of view.

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/content/journals/10.1386/sfs.7.2.191_1
2017-10-01
2026-04-13

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