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1981
Volume 8, Issue 1
  • ISSN: 2042-7824
  • E-ISSN: 2042-7832

Abstract

Abstract

The highly subjective storytelling in Zepo amplifies the emotional impact of the plot on the viewer. This article explores cinematic subjectivity in the film by identifying and analysing the instances of subjective storytelling, which range from the classical point of view shot to affected POV shots and additional subjective devices.

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/content/journals/10.1386/sfs.8.1.25_1
2018-04-01
2024-09-09
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