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1981
Volume 8, Issue 1
  • ISSN: 2042-7824
  • E-ISSN: 2042-7832

Abstract

Abstract

This article will focus on the use of sand-on-glass animation in Zepo as a way to understand the film in relation to craft-based, or ‘handmade’ practices. The aesthetic such a method can produce in this case has a direct correlation with the subject matter in terms of innocence, vulnerability, fear and isolation.

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/content/journals/10.1386/sfs.8.1.33_1
2018-04-01
2024-09-09
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