
Full text loading...
The article analyses how Andy Warhol Eating a Hamburger predates slow cinema by evoking situative and existential boredom. Rather than simply facilitating modernist and temporal ways of seeing, Leth explores the creative potential of Warhol's post-Romantic boredom, marked by both duration and meaninglessness, to counteract the anti-immersion effect and amplify receptiveness.
Article metrics loading...
Full text loading...
References
Publication Date:
https://doi.org/10.1386/sfs_00008_1 Published content will be available immediately after check-out or when it is released in case of a pre-order. Please make sure to be logged in to see all available purchase options.