African science fiction cinema: Wanuri Kahiu’s 21-minute film Pumzi (2009)

References

1. Assa, Shirin. ( 2017;), ‘ Pumzi: The labyrinth of futures. ’, Journal of the African Literature Association, 11:1, pp. 58–69.
   [Google Scholar]
2. Bisschoff, Lizelle. ( 2020;), ‘ African cyborgs: Females and feminists in African science fiction film. ’, Interventions, 22:5, pp. 606–23.
   [Google Scholar]
3. Bryce, Jane. ( 2016;), ‘ African futurism: Speculative fiction and “rewriting the great book”. ’, Research: African Literature, 50:1, pp. 1–19.
   [Google Scholar]
4. Giruzzi, Clara. ( 2015;), ‘ A feminist approach to contemporary female Kenyan cinemax women and nation in From a Whisper (Kahiu, 2008) and Something Necessary (Kibinge, 2013). ’, Journal of African Cinemas, 7:2, pp. 79–96.
   [Google Scholar]
5. Higgins, Mary Ellen. ( 2015;), ‘ The winds of African cinema. ’, African Studies Review, 58:3, pp. 22–92.
   [Google Scholar]
6. Kahiu, Wanuri. ( 2009), Our Land, Kenya:: Awali Entertainment;, https://vimeo.com/35631869. Accessed 30 November 2020.
   [Google Scholar]
7. Kahiu, Wanuri. ( 2013;), ‘ Africa and science fiction: Wanuri Kahiu’s Pumzi. ’, 13 December, XamXam, https://www.youtube.com/watch?v=SWMtgD9O6PU. Accessed 4 December 2020.
8. Karangi, Mathew M.. ( 2008;), ‘ Revisiting the roots of Gĩkũyũ culture through the sacred Mũgumo tree. ’, Journal of African Cultural Studies, 20:1, pp. 117–32.
   [Google Scholar]
9. Kermeliotis, Ted. ( 2010;), ‘ Wanuri Kahiu: “In Kenya, I’m a hustler”. ’, CNN, 30 March, http://edition.cnn.com/2010/SHOWBIZ/Movies/03/26/wanuri.kahiu.pumzi/index.html. Accessed 7 December 2020.
   [Google Scholar]
10. Nyawalo, Mich. ( 2016;), ‘ Afrofuturism and the aesthetics of hopes in Bekolo’s Les Saignantes and Kahiu’s Pumzi. ’, Journal of the African Literature Association, 10:2, pp. 209–21.
    [Google Scholar]
11. Omelsky, Matthew. ( 2014;), ‘ “After the end times”: Postcrisis African science fiction. ’, Cambridge Journal of Postcolonial Literary Inquiry, 1:1, pp. 33–49, http://journals.cambridge.org/abstract_S2052261413000020. Accessed 2 December 2020.
    [Google Scholar]
12. Rico, Amanda Renée. ( 2017;), ‘ Gendered ecologies and black feminist futures in Wanuri Kahiu’s Pumzi, Wangechi Mutu’s The End of Eating Everything, and Ibi Zoboi’s The Farming of Gods. ’, Wagadu: A Journal of Transnational Women’s and Gender Studies, 18, pp. 81–99, http://sites.cortland.edu/wagadu/wp-content/uploads/sites/3/2018/02/v18-GENDERED-ECOLOGIES-AND-BLACK-FEMINIST.pdf. Accessed 14 December 2020.
    [Google Scholar]
13. Sides, Kirk Bryan. ( 2019;), ‘ Seed bags and storytelling: Modes of living and writing after the end in Wanuri Kahiu’s Pumzi. ’, Critical Philosophy of Race, 7:1, pp. 107–23.
    [Google Scholar]
14. Wachira, James. ( 2020;), ‘ Wangari Maathai’s environmental Afrofuturist imaginary in Wanuri Kahiu’s Pumzi. ’, Critical Studies in Media Communication, 37:4, pp. 324–36.
    [Google Scholar]
15. Melnyk, George. ( 2021;), ‘ African science fiction cinema: Wanuri Kahiu’s 21-minute film Pumzi (2009). ’, Short Film Studies, 11:2, pp. 221–31, https://doi.org/10.1386/sfs_00057_1
    [Google Scholar]