Beyond documentary: Alanis Obomsawin’s cinematic worldview

References

1. Alioff, Maurie. ( 2016;), ‘ The long walk of Alanis Obomsawin. ’, Point of View Magazine, 3 May, https://povmagazine.com/the-long-walk-of-alanis-obomsawin/. Accessed 13 August 2021.
   [Google Scholar]
2. Cornellier, Bruno. ( 2012;), ‘ The thing about Obomsawin’s Indianness: Indigenous reality and the burden of education at the National Film Board of Canada. ’, Canadian Journal of Film Studies, 21:2, pp. 2–26.
   [Google Scholar]
3. Deleuze, Gilles. ( 1989), Cinema 2: The Time-Image (trans. T. Hugh and G. Robert), Minneapolis, MN:: University of Minnesota Press;.
   [Google Scholar]
4. Dillon, Grace L.. ( 2012), Walking the Clouds: An Anthology of Indigenous Science Fiction, Tucson, AZ:: University of Arizona Press;.
   [Google Scholar]
5. Dillon, Grace, and Marques, Pedro Neves. ( 2021;), ‘ Taking the fiction out of science fiction: A conversation about indigenous futurisms. ’, e-flux, 120, https://www.e-flux.com/journal/120/417043/taking-the-fiction-out-of-science-fiction-a-conversation-about-indigenous-futurisms/. Accessed 10 October 2021.
   [Google Scholar]
6. Lewis, Randolph. ( 2006), Alanis Obomsawin: The Vision of a Native Filmmaker, Lincoln:: University of Nebraska Press;.
   [Google Scholar]
7. Loft, Steven. ( 2005;), ‘ Sovereignty subjectivity and social action: The films of Alanis Obomsawin. ’, in D. Claxton,, S. Lofts, and M. Townsend. (eds), Transference Tradition Technology, Hamilton:: Walter Phillips Gallery Editions;, pp. 60–68.
   [Google Scholar]
8. NFB ( 2010), ‘When All the Leaves Are Gone’: Teaching Guide, Ottawa:: National Film Board of Canada Production;, https://www.nfb.ca/film/when_all_the_leaves_are_gone/. Accessed 15 July 2021.
   [Google Scholar]
9. Obomsawin, Alanis. ( 1984), Incident at Restigouche, Canada:: National Film Board of Canada;.
   [Google Scholar]
10. Obomsawin, Alanis. ( 1993), Kanehsatake: 270 Years of Resistance, Canada:: National Film Board of Canada;.
    [Google Scholar]
11. Obomsawin, Alanis. ( 2010), When All the Leaves are Gone, Canada:: National Film Board of Canada;.
    [Google Scholar]
12. Pirie, Maeghan. ( 2015;), ‘ Situating Indigenous knowledges: The talking back of Alanis Obomsawin and Shelley Niro. ’, in W. G. Pearson, and S. Knabe. (eds), Reverse Shots: Indigenous Film and Media in an International Context, Waterloo:: Wilfred Laurier University Press;, pp. 247–64.
    [Google Scholar]
13. White, Jerry. ( 2002;), ‘ Alanis Obomsawin, documentary form and the Canadian Nation(s). ’, in W. Beard, and J. White. (eds), North of Everything: English-Canadian Cinema Since 1980, Edmonton:: University of Alberta Press;, pp. 364–75.
    [Google Scholar]
14. Wilderson III, Frank B.. ( 2010), Red, White & Black: Cinema and the Structure of US Antagonsim, Durham, NC:: Duke University Press;.
    [Google Scholar]
15. Doyle, Caitlyn. ( 2022;), ‘ Beyond documentary: Alanis Obomsawin’s cinematic worldview. ’, Short Film Studies, 12:1, pp. 105–13, https://doi.org/10.1386/sfs_00071_1
    [Google Scholar]