Hispanic cinema and the aesthetics of deceleration: Festival report | Intellect Skip to content
1981
Volume 10, Issue 2
  • ISSN: 2050-4837
  • E-ISSN: 2050-4845

Abstract

Abstract

As in past years, the 63rd Berlin International Film Festival continued highlighting Spanish and Latin American cinema. Many of these films were characterized by their slowness or the ‘cinema of deceleration’ (Gemünden). Prominent proponents of this new aesthetic are Sebastián Lelio’s film Gloria (for which Paulina García won the Silver Bear), Neus Ballús’ first feature length semi-documentary La plaga, Ana Guevara Pose’s and Leticia Jorge Romero’s Tanta agua and Isabel Coixet’s slow-moving, science fiction Ayer no termina nunca, among many others. Of particular note was the workshop given by Argentine Lucrecia Martel.

Loading

Article metrics loading...

/content/journals/10.1386/slac.10.2.225_7
2013-10-01
2024-04-23
Loading full text...

Full text loading...

http://instance.metastore.ingenta.com/content/journals/10.1386/slac.10.2.225_7
Loading
  • Article Type: Article
Keyword(s): film festivals; Hispanic cinema; Lucrecia Martel; new slowness
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error