Special Issue: Dance in musical theatre | Intellect Skip to content
1981
Volume 13, Issue 1
  • ISSN: 1750-3159
  • E-ISSN: 1750-3167

Abstract

This special issue of examines the role of dance in musical theatre from a variety of perspectives. Given the scholarly turn from textual analysis to performance analysis, even studying musicals without extensive dance per se can benefit from understanding how movement shapes meaning. The introduction below explains some key themes that have emerged in the six articles that follow. One is the question of genre: what exactly musical theatre dance? Another is auteurship: what is the role of the choreographer in shaping musicals? A third is technology, which reminds readers that choreography extends beyond human bodies. Finally, the articles all consider questions of methodology and history – how do we best study musical theatre? While there are several other areas of potential inquiry not covered in these six articles, this special issue, the first in the field to focus on dance in musical theatre, aims to help define and cohere an important subfield.

Loading

Article metrics loading...

/content/journals/10.1386/smt.13.1.3_2
2019-03-01
2024-04-20
Loading full text...

Full text loading...

/deliver/fulltext/smt/13/1/smt.13.1.3.html?itemId=/content/journals/10.1386/smt.13.1.3_2&mimeType=html&fmt=ahah

References

  1. Das, Joanna Dee. ( 2019;), ‘ What makes a musical? Contact (2000) and debates about genre at the dawn of the twenty-first century. ’, in J. Sternfeld, and E. Wollman. (eds), The Routledge Companion to the Contemporary Musical, New York:: Routledge;, n.pag.
    [Google Scholar]
  2. Foulkes, Julia. ( 2016), A Place for Us: West Side Story and New York, Chicago:: University of Chicago Press;.
    [Google Scholar]
  3. Gardner, Kara Anne. ( 2016), Agnes de Mille: Telling Stories in Broadway Dance, New York:: Oxford University Press;.
    [Google Scholar]
  4. Gennaro, Liza. ( 2011;), ‘ Evolution of dance in the golden age of the American “book musical”. ’, in R. Knapp,, M. Morris, and S. Wolf. (eds), The Oxford Handbook of the American Musical, New York:: Oxford University Press;, pp. 4564.
    [Google Scholar]
  5. Gottschild, Brenda Dixon. ( 1996), Digging the Africanist Presence in American Performance: Dance and Other Contexts, Westport, CT:: Praeger;.
    [Google Scholar]
  6. Kraut, Anthea. ( 2015), Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance, New York:: Oxford University Press;.
    [Google Scholar]
  7. Lodge, Mary Jo. ( 2014;), ‘ Dance breaks and dream ballets: Transitional moments in musical theater. ’, in D. Symonds, and M. Taylor. (eds), Gestures of Music Theater: The Performativity of Song and Dance, New York:: Oxford University Press;, pp. 7590.
    [Google Scholar]
  8. Loney, Glenn. (ed.) ( 1984;), Musical theatre in America. ’, Proceedings of the Conference on the Musical Theatre in America, Westport, CT:: Praeger;.
    [Google Scholar]
  9. Stiehl, Pamyla. ( 2008;), ‘ The Dansical: American musical theatre reconfigured as a choreographer’s expression and domain. ’, Ph.D. thesis, Boulder:: University of Colorado;.
    [Google Scholar]
  10. Winkler, Kevin. ( 2018), Big Deal: Bob Fosse and Dance in the American Musical, New York:: Oxford University Press;.
    [Google Scholar]
  11. Wolf, Stacy. ( 2007;), ‘ In defense of pleasure: Musical theatre history in the liberal arts [a manifesto]. ’, Theatre Topics, 17:1, pp. 5160.
    [Google Scholar]
http://instance.metastore.ingenta.com/content/journals/10.1386/smt.13.1.3_2
Loading
  • Article Type: Editorial
Keyword(s): choreographer; dance; genre; historiography; methodology; movement; technology
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error