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Germaine Tailleferre and Hlne Perdriat's Le Marchand d'oiseaux (1923): French feminist ballet?
- Source: Studies in Musical Theatre, Volume 4, Issue 1, Aug 2010, p. 113 - 120
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- 01 Aug 2010
Abstract
In 1923 Germaine Tailleferre, the only female member of the group of French composers known as Les Six, completed Le Marchand d'oiseaux for the Ballet Sudois, with a scenario, costumes and set designs by the woman artist and poetess Hlne Perdriat. Interestingly, a number of the contemporary critics interpreted the work (mainly the product of two women) as a feminist manifestation. This article examines the justification for labelling Le Marchand d'oiseaux a feminist work, and posits the theory that it may be more apt, especially within the context of the development of inter-war musical modernism, to understand it as a neoclassical ballet.
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