Whitewashed Usnavi: Race, power and representation in In the Heights | Intellect Skip to content
1981
Volume 13, Issue 3
  • ISSN: 1750-3159
  • E-ISSN: 1750-3167

Abstract

This article focuses on questions of race, power and representation in regional productions of Lin-Manuel Miranda and Quiara Alegría Hudes’ 2008 Tony Award-winning musical . While issues of representation in did not begin in 2016, this article uses the Porchlight Music Theatre production as a point of departure to analyse how the musical became a contentious performance text in the post- era. This study focuses on how theatre companies that have not traditionally produced Latinx stories have used as an entry-point into the Latinx community and as a way to capitalize from the unprecedented success of Miranda’s .

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/content/journals/10.1386/smt_00003_1
2019-12-01
2024-04-19
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