Audio mediation technology and liveness in modern musical theatre performance

References

1. Auslander, Philip. ( 1999), Liveness: Performance in a Mediatized Culture, London:: Routledge;.
   [Google Scholar]
2. Banfield, Stephen. ( 1993), Sondheim’s Broadway Musicals, Ann Arbor, MI:: University of Michigan Press;.
   [Google Scholar]
3. Burston, Jonathan. ( 1998;), ‘ Theatre space as virtual place: Audio technology, the reconfigured singing body, and the megamusical. ’, Popular Music, 17:1, pp. 205–18.
   [Google Scholar]
4. Canby, Vincent. ( 1995;), ‘ Look who’s talking on Broadway: Microphones. ’, New York Times, 22 January, p. 2001.
   [Google Scholar]
5. Chase, David. ( 2018), telephone interview with the author, 11 November .
6. Croft, John. ( 2007;), ‘ Theses on liveness. ’, Organized Sound, 12:1, pp. 59–66.
   [Google Scholar]
7. Cuevas, Steven. ( 2018), telephone interview with the author, 22 October .
8. Danielsen, Anne, and Helseth, Inger. ( 2016;), ‘ Mediated intimacy: The relationship between auditory and visual dimensions of live performance in contemporary technology-based popular music. ’, Rock Music Studies, 3:1, pp. 24–40.
   [Google Scholar]
9. Engel, Lehman. ( 1967), The American Musical Theater: A Consideration, New York:: MacMillan;.
   [Google Scholar]
10. Gallagher, Matt. ( 2013;), ‘ Kinky Boots on Broadway: Tony Award-winning sound design for the best musical of 2013. ’, Mix, 37:10, p. 24.
    [Google Scholar]
11. Gardos, David. ( 2018), telephone interview with the author, 30 October .
12. Grant, Mark N.. ( 2004), The Rise and Fall of the Broadway Musical, Boston:: Northeastern University Press;.
    [Google Scholar]
13. Kane, Brian. ( 2014), Sound Unseen: Acousmatic Sound in Theory and Practice, New York:: Oxford University Press;.
    [Google Scholar]
14. Kirle, Bruce. ( 2005), Unfinished Show Business: Broadway Musicals as Works-in-Progress, Carbondale, IL:: Southern Illinois University Press;.
    [Google Scholar]
15. McMillin, Scott., ( 2006), The Musical as Drama, Princeton, NJ:: Princeton University Press;.
    [Google Scholar]
16. Meffe, Robert. ( 2011;), ‘ How many musicians does it take? A history and analysis of the shrinking Broadway pit orchestra. ’, Studies in Musical Theatre, 5:1, pp. 99–115.
    [Google Scholar]
17. Pardo, Dan. ( 2018), e-mail correspondence with the author, 24 October .
18. Rodosthenous, George., ( 2016;), ‘ Sound design in theatre: Interruptions, counterpoints, and punctuations: An interview with Mic Pool. ’, Studies in Musical Theatre, 10:2, pp. 243–51.
    [Google Scholar]
19. Sanden, Paul. ( 2013), Liveness in Modern Music: Musicians, Technology, and the Perception of Performance, New York:: Routledge;.
    [Google Scholar]
20. Slaten, Whitney. ( 2018;), ‘ Doing sound: An ethnography of fidelity, temporality, and labor among live sound engineers. ’, Ph.D. dissertation, New York:: Columbia University;.
    [Google Scholar]
21. Slaton, Shannon. ( 2011), Mixing a Musical: Broadway Theatrical Sound Techniques, Boston:: Focal Press;.
    [Google Scholar]
22. Sterne, Jonathan. ( 2003), The Audible Past: Cultural Origins of Sound Reproduction, Durham, NC:: Duke University Press;.
    [Google Scholar]
23. Symonds, Dominic. ( 2020;), ‘ Starlight expression and phantom operatics: Technology, performance, and the megamusical’s aesthetic of the voice. ’, in J. Sternfeld, and E. L. Wollman. (eds), The Routledge Companion to the Contemporary Musical, New York:: Routledge;, pp. 87-96.
    [Google Scholar]
24. Taylor, Millie. ( 2012), Musical Theatre, Realism, and Entertainment, London:: Routledge;.
    [Google Scholar]
25. Tommasini, Anthony. ( 2006;), ‘ Pipe down! We can hardly hear you. ’, New York Times, 1 January, p. 2001.
    [Google Scholar]
26. Valencia, Brian D.. ( 2016;), ‘ What a crescendo – not to be missed: Loudness on the musical stage. ’, Studies in Musical Theatre, 10:1, pp. 7–17.
    [Google Scholar]
27. Whitaker, Emily. ( 2018), telephone interview with the author, 23 October .
28. Wolf, Stacy E.. ( 2002), A Problem Like Maria: Gender and Sexuality in the American Musical, Ann Arbor, MI:: University of Michigan Press;.
    [Google Scholar]
29. Alexander-Hills, Makulumy. ( 2022;), ‘ Audio mediation technology and liveness in modern musical theatre performance. ’, Studies in Musical Theatre, 16:1, pp. 5–20, https://doi.org/10.1386/smt_00083_1
    [Google Scholar]