Speaking, Singing, Screaming: Controlling the Female Voice in American Cinema | Intellect Skip to content
1981
Volume 2, Issue 1
  • ISSN: 1751-4193
  • E-ISSN: 1751-4207

Abstract

Feminist film scholars have long argued that there is a visual bias as to how the female body is represented on screen. This article explores the extension of this bias to include sound: how sound is used to represent women in American cinema. It explores sonic representation in several key films including and .

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/content/journals/10.1386/st.2.1.63_1
2009-08-01
2024-05-19
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