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1981
Volume 3, Issue 1
  • ISSN: 1751-4193
  • E-ISSN: 1751-4207

Abstract

Although Alfred Hitchcock's 1929 film was released in both sound and silent versions, it is the sound version that is most familiar to modern audiences. Composer Neil Brand was commissioned to provide a score for the silent version and in this essay he reflects on the problems and the pleasures of creating a score that can reach modern audiences and enhance the intensity and the ambiguity of Hitchcock's masterpiece.

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/content/journals/10.1386/st.3.1.25_1
2010-07-01
2024-09-07
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