Volume 3, Issue 1

Abstract

In this interview with the Oscar-winning editor and sound designer Walter Murch, composer, academic and critic Gustavo Costantini explores Murch's ways of working with sound and image and some of his conceptual theories on film-making.

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/content/journals/10.1386/st.3.1.33_1
2010-07-01
2024-03-29
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http://instance.metastore.ingenta.com/content/journals/10.1386/st.3.1.33_1
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Keyword(s): American Graffiti; Apocalypse Now; Chion; Coppola; editing; musique concrte; sound; The Conversation; Youth Without Youth

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