Psycho and the orchestration of anxiety | Intellect Skip to content
1981
Volume 3, Issue 1
  • ISSN: 1751-4193
  • E-ISSN: 1751-4207

Abstract

Since its release in 1960, Alfred Hitchcock's has entered the consciousness of our culture as have few other films. Its striking imagery, combined with its universally recognized score, has prompted a wealth of scholarly output. New understanding in the areas of emotion and cognition now affords us the opportunity to re-examine this film from a less familiar vantage point. This article places within the context of American television drama of the 1950s and explores the effect of Bernard Herrmann's music on the emotional responses of the viewer, as well as the possible consequences of this effect on the literal reading of the film.

Loading

Article metrics loading...

/content/journals/10.1386/st.3.1.53_1
2010-07-01
2024-05-26
Loading full text...

Full text loading...

http://instance.metastore.ingenta.com/content/journals/10.1386/st.3.1.53_1
Loading
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error