Authenticity and realism in documentary sound | Intellect Skip to content
1981
Volume 3, Issue 2
  • ISSN: 1751-4193
  • E-ISSN: 1751-4207

Abstract

While we expect a dramatic feature film to use creative license in bringing the sound-track to life, does the same carte blanche approach apply for documentary? Does it, and should it, matter? This article highlights some of the problems and questions relating to the notions of realism and authenticity in the production of the documentary soundtrack. The production of the documentary film is used as a case study to examine the implications for practice.

Loading

Article metrics loading...

/content/journals/10.1386/st.3.2.131_1
2010-12-01
2024-05-22
Loading full text...

Full text loading...

http://instance.metastore.ingenta.com/content/journals/10.1386/st.3.2.131_1
Loading
  • Article Type: Article
Keyword(s): authenticity; documentary; drama; realism; sound; television
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error