Skip to content
1981
Volume 2, Issue 1
  • ISSN: 2040-3232
  • E-ISSN: 2040-3240

Abstract

Having grown up entirely within the Franco-Belgian comics tradition, I confess that I read for the first time in 2009. On page 2, I realized that I would need to look up several historical facts and names in order to make sense – more than twenty years after publication – of the complex background of gloomy Cold War tensions against which the action takes place. (Vainly) desiring to get the full picture and bridge the cross-cultural gap(s), I Googled terms like 'Vice-President Ford', 'KT-28' and 'Keene Act', which made me realize that , to my surprise, has its own 'Wiki', and more important, that it displays a , or alternate history. Different scholars have fruitfully studied Moore's playing with the narratological levels of and discourse. While they have focused on the manipulations at the -level, this article divides the in separate levels to probe the mechanisms of reading 'uchronical' comic stories. Partially inspired by Wolf Schmid's narratological model (2008), I hypothesize the level of 'uchronical '. Comparing to some other uchronical works, I try to explain why Alan Moore's gradual disclosure of the alternate-historical information generates two particular 'uchronical reading pleasures'.

Loading

Article metrics loading...

/content/journals/10.1386/stic.2.1.159_1
2011-07-08
2025-05-22
Loading full text...

Full text loading...

/content/journals/10.1386/stic.2.1.159_1
Loading
This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error
Please enter a valid_number test