The uncertainty of ASCOT and the second-order hesitation of ASCO2.T within the transdisciplinary buffer zone, Round 2 | Intellect Skip to content
1981
Volume 11, Issue 2
  • ISSN: 1477-965X
  • E-ISSN: 1758-9533

Abstract

Abstract

The first round about ‘The myth of ASCOT and its rival ASCO2.T: tech-noetic vs. techno-logic’ exposed the hazard in colliding obsolete disciplinary categories under outdated procedures. The orthodox jurisdiction of Ars Electronica and CERN in Collide@CERN, one of the most prominent ongoing programmes of this kind, does not eliminate the risk of missing the target by operating with categories of artists and scientists. Art is one of those disciplines with a long expired warranty, but with decay on its periphery that is turning into fertile forefront territories. Fresh temporary categories are marking and spreading over these uncharted territories and sensibly interconnecting with peripheries of other disciplines. The ex-artist that is reborn in this peripheral transdisciplinary zone can be provisionally categorized as a polyphibian for its features to be carefully studied. Like amphibians, a polyphibian can coherently transcend from one medium to another, in between and beyond the disciplines. In order to research the implications of such ‘categorical’ mutations, a readymade was submitted to the organization of Collide@CERN under the licence of R. Mutt. Namely, the readymade ASCOTT (Apparatus with Super COnducting Thought Transduction) dubbed also ASCO2.T is needed as the second-order upgrade of the existing plan for ASCOT (Apparatus with Super COnducting Toroids) invented by the scientists for CERN. As is expected from the reputation of R. Mutt’s readymades – this submission was ignored and refused in just the same quiet manner as his most notorious one. But if society would not provide salons for the refused artists (Salon des Refuses) right next to the salons under the scrutiny of academically established artists, there would be no mutations and no evolution in art. Such mutations of the artist into a ‘complex and widely distributed system’ at the dispersing fringes of decomposing art was already predicted by R. Ascott. Polyphibians are the species surviving the ripening metamorphosis of disciplines by taking refuge in the unexplored transdisciplinary buffer zone. This is the only zone where a confrontation of ASCOT technology with tech-noetics of ASCO2.T is possible. The refused unknown demands not a Salon but the Interval of Suspended Judgement. In the sequel to the first round of this debate, the Interval of Suspended Judgement will be investigated.

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2013-09-01
2024-05-26
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