Skip to content
1981
  1. Home
  2. A-Z Publications
  3. Technoetic Arts
  4. Volume 18, Issue 2
  5. Article
Taboo–Transgression–Transcendence in Art & Science
  • ISSN: 1477-965X
  • E-ISSN: 1758-9533

Abstract

Through weaving the intimate stories of an encounter, possibilities of shared but not unified forms of resistance against powers of identification between life, art, science and philosophy will hopefully emerge. In the time of exhaustion of narratives, there is a growing need of telling stories despite capture – stories that would escape control and commodification, that would induce change, reenchant and give caring conditions for multiple human and nonhuman bodies. It is thus not about fetishization of an individual who tells, who reassures the value and importance of the subject. Rather, it is about stories that, as Isabelle Stengers argues, call for the transformation of an individual story based on given norms and ideas into demonological because collective dynamic and experimental imaginings. But how to think with demonological relations of transformations together without the constrains of morals and given models that tend to govern and exclude what disagrees? The present article, focuses on a particular re-enchantment through the stories of – the contemporary matters of resistance through the plants’ resilience inspired-by and becoming-with the work of Špela Petrič and our field-mothers.

© 2020 Intellect Ltd
Loading

Article metrics loading...

/content/journals/10.1386/tear_00029_1
2020-10-01
2024-09-20
Loading full text...

Full text loading...

References

  1. Deleuze, Gilles. ( 1995), Difference and Repetition (trans. P.,, Patton.), New York:: Columbia University Press;.
     [Google Scholar]
  2. Deleuze, Gilles, and Guattari, Félix. ( 2004), A Thousand Plateaus: Capitalism and Schizophrenia, London:: Continuum;.
     [Google Scholar]
  3. Deleuze, Gilles, and Lapoujade, David. ( 2008), Two Regimes of Madness: Texts and Interviews, 1975–1995, , 2nd ed.., New York:: Semiotext(e);.
     [Google Scholar]
  4. Deleuze, Gilles, and Parnet, Claire. ( 2007), Dialogues II (trans. H.,, Tomlinson, and B.,, Habberjam.), New York:: Columbia University Press;.
     [Google Scholar]
  5. Federici, Silvia, and Linebaugh, Peter. ( 2018), Re-Enchanting the World: Feminism and the Politics of the Commons, Oakland, CA:: PM Press;.
     [Google Scholar]
  6. Petrič, Špela. ( 2015;), ‘ Confronting vegetal otherness: Skotopoiesis. ’, performance, https://www.spelapetric.org/#/scotopoiesis/. Accessed 13 December 2021.
  7. Sandilands, Catriona. ( 2017;), ‘ Vegetate. ’, in J. J. Cohen, and L. Duckert. (eds), Veer Ecology: A Companion for Environmental Thinking, Minneapolis:: University of Minnesota Press;, pp. 16–29.
     [Google Scholar]
  8. Schiebinger, Londa. ( 2007), Plants and Empire: Colonial Bioprospecting in the Atlantic World, Cambridge, MA:: Harvard University Press;.
     [Google Scholar]
  9. Stengers, Isabelle, and Despret, Vinciane. ( 2014), Women Who Make a Fuss: The Unfaithful Daughters of Virginia Woolf (trans. A.,, Knutson.), , 1st ed.., Minneapolis:: Univocal Publishing;.
     [Google Scholar]
  10. Tokarczuk, Olga. ( 2018), Anna In w Grobowcach Świata, Kraków:: Wydawnictwo Literackie;.
     [Google Scholar]
  11. Tokarczuk, Olga. ( 2019;), ‘ The tender narrator. ’, Nobel Prize in Literature, 2018 Lecture, 7 December, https://www.nobelprize.org/prizes/literature/2018/tokarczuk/104871-lecture-english/?fbclid=IwAR3VKZsPXLK-YfcMOm-4gXMHhTXSJ-_89heaal6ULICqJd8JTbpIzz09J2A. Accessed 13 December 2021.
     [Google Scholar]
  12. Von Samsonow, Elisabeth. ( 2019), Anti-Electra: The Radical Totem of the Girl (trans. A.,, Fricek, and S.,, Zepke.), Minneapolis:: University of Minnesota Press;.
     [Google Scholar]
  13. Wołodźko, Agnieszka Anna. ( 2017;), ‘ Forgotten rituals of yearning. ’, Capacious: Journal for Emerging Affect Inquiry, 1:1, pp. 12–17.
     [Google Scholar]
  14. Wołodźko, Agnieszka Anna. ( 2018;), ‘ Bodies within affect: On practicing contaminating matters through bioart. ’, Ph.D. thesis, Leiden:: Leiden University.
     [Google Scholar]
  15. Wołodźko, Agnieszka Anna. ( 2020;), ‘ Living within affect as contamination: Breathing in between numbers. ’, Capacious: Journal for Emerging Affect Inquiry, 2:1&2, pp. 212–24.
     [Google Scholar]
  16. Zaretsky, Adam. ( 2011;), ‘ “Mutate or Die”: A project by Adam Zaretsky in collaboration with Tony Allard for the Trust Me I’m an Artist: Towards an Ethics of Art/Science Collaboration. ’, Trust Me I’m an Artist, 10 December, https://artscienceethics.tumblr.com/MutateOrDie. Accessed 13 December 2021.
     [Google Scholar]
  17. Wołodźko, Agnieszka Anna. ( [2020] 2022;), ‘ Demonological re-enchantments: Or how to contaminate through intimate stories of commons without consensus. ’, Technoetic Arts: A Journal of Speculative Research, 18:2&3, pp. 97–104, https://doi.org/10.1386/tear_00029_1
     [Google Scholar]
/content/journals/10.1386/tear_00029_1
Loading
  • Article Type: Article
Keyword(s): contamination; demonology; epistemicide; plant; storytelling; witch

Most Cited Most Cited RSS feed

This is a required field
Please enter a valid email address
Approval was a success
Invalid data
An error occurred
Approval was partially successful, following selected items could not be processed due to error