What happened to the subject? Mediated anticipation in neural painting

References

1. Ahern, Kathryn J.. ( 1999;), ‘ Ten tips for reflexive bracketing. ’, Qualitative Health Research, 9:3, pp. 407–11.
   [Google Scholar]
2. Borges, Jorge L.. ( [1948] 2007), Labyrinths: Selected Stories & Other Writings (eds D. A. Yates, and J. E. Irby.), New York:: New Directions;.
   [Google Scholar]
3. Brassaï. ( 1999), Conversations with Picasso (trans J. M. Todd.), Chicago and London:: University of Chicago Press;.
   [Google Scholar]
4. Choi, Suk Kyoung. ( 2018;), ‘ Guess, check and fix: A phenomenology of improvisation in “neural” painting. ’, Digital Creativity, 29:1, pp. 96–114, https://doi.org/10.1080/14626268.2018.1423995. Accessed 22 February 2021.
   [Google Scholar]
5. Csikszentmihalyi, Mihaly R.. ( 1990), Flow: The Psychology of Optimal Experience, New York:: Harper & Row;.
   [Google Scholar]
6. Crowther, Paul. ( 1993), Art and Embodiment: From Aesthetics to Self-Consciousness, Oxford and New York:: Oxford University Press;.
   [Google Scholar]
7. Crowther, Paul. ( 2016), How Pictures Complete Us: The Beautiful, the Sublime, and the Divine, Stanford, CA:: Stanford University Press;.
   [Google Scholar]
8. Crowther, Paul. ( 2017), What Drawing and Painting Really Mean: The Phenomenology of Image and Gesture, New York:: Routledge;.
   [Google Scholar]
9. Depraz, Nathalie,, Varela, Francisco J., and Vermersch, Pierre. ( 2003), On Becoming Aware: A Pragmatics of Experiencing: 43 (Advances in Consciousness Research), Amsterdam and Philadelphia, PA:: John Benjamins;.
   [Google Scholar]
10. Dewey, John. ( [1934] 1958), Art as Experience, New York:: Capricorn Books and G. P. Putnam’s Sons;.
    [Google Scholar]
11. Ernst, Max. ( [1948] 2009), Max Ernst: Beyond Painting, New York:: Wittenborn Schultz;.
    [Google Scholar]
12. Gatys, Leon A.,, Ecker, Alexander S., and Bethge, Matthias. ( 2015;), ‘ A neural algorithm of artistic style. ’, ArXiv, http://arxiv.org/abs/1508.06576. Accessed 23 December 2016.
    [Google Scholar]
13. Gregory, Richard L.. ( 1980;), ‘ Perceptions as hypotheses. ’, Philosophical Transactions of the Royal Society of London B: Biological Sciences, 290:1038, pp. 181–97.
    [Google Scholar]
14. Gregory, Richard. L.. ( 1998;), ‘ Brainy mind. ’, British Medical Journal, 317:7174, pp. 1693–95.
    [Google Scholar]
15. Hall, James. ( 2014), The Self-Portrait: A Cultural History, London:: Thames & Hudson;.
    [Google Scholar]
16. Hofstadter, Douglas R.. ( 2007), I Am a Strange Loop, New York:: Basic Books;.
    [Google Scholar]
17. Ihde, Don. ( 1990), Technology and the Lifeworld: From Garden to Earth, Bloomington, IN and Indianapolis:: Indiana University Press;.
    [Google Scholar]
18. Inglis, Judy. ( 1957;), ‘ Cargo cults: The problem of explanation. ’, Oceania, 27:4, pp. 249–63.
    [Google Scholar]
19. James, William. ( 1910), The Principles of Psychology, vol. I, New York:: Henry Holt & Co;.
    [Google Scholar]
20. Kleene, Stephen C.. ( 1956;), ‘ Representation of events in nerve nets and finite automata. ’, in C. E. Shannon, and J. McCarthy. (eds), Automata Studies, Annals of Mathematics Studies, vol. 34, Princeton, NJ:: Princeton University Press;, pp. 3–42.
    [Google Scholar]
21. McCaig, Graeme, and DiPaola, Steve. ( n.d.), Deep Hybrid, unpublished in-lab technical document .
    [Google Scholar]
22. McCormack, Jon. ( 2012;), ‘ Creative ecosystems. ’, in J. McCormack, and M. d’Inverno. (eds), Computers and Creativity, Berlin and Heidelberg:: Springer-Verlag;, pp. 39–60.
    [Google Scholar]
23. Neisser, Ulric. ( 1976), Cognition and Reality: Principles and Implications of Cognitive Psychology, San Francisco:: W. H. Freeman and Co;.
    [Google Scholar]
24. Redies, Christoph. ( 2007;), ‘ A universal model of esthetic perception based on the sensory coding of natural stimuli. ’, Spatial Vision, 21:1&2, pp. 97–117.
    [Google Scholar]
25. Rosen, Robert. ( [1985] 2012), Anticipatory Systems: Philosophical, Mathematical, and Methodological Foundations (IFSR International Series in Systems Science and Systems Engineering), , 2nd ed.., New York:: Springer-Verlag;.
    [Google Scholar]
26. Sellars, Wilfrid. ( 1962;), ‘ Philosophy and the scientific image of man. ’, in R. Colodny. (ed.), Frontiers of Science and Philosophy, Pittsburgh, PA:: University of Pittsburgh Press;, pp. 35–78.
    [Google Scholar]
27. Sellars, Wilfrid. ( 1968;), ‘ Philosophy and the scientific image of man. ’, in W. Sellars. (ed.), Science, Perception and Reality, London:: Routledge and Kegan Paul Ltd;, pp. 1–40.
    [Google Scholar]
28. Spies, Werner. ( 2006), Max Ernst: Life and Work, London:: Thames & Hudson;.
    [Google Scholar]
29. Varela, Francisco J.. ( 1999;), ‘ The specious present: A neurophenomenology of time consciousness. ’, in J. Petitot,, F. J. Varela,, B. Pachoud, and J.-M. Roy. (eds), Naturalizing Phenomenology: Issues in Contemporary Phenomenology and Cognitive Science, Stanford, CA:: Stanford University Press;, pp. 266–314.
    [Google Scholar]
30. Wegner, Daniel M.. ( 2003;), ‘ The mind’s self-portrait. ’, Annals of the New York Academy of Sciences, 1001:1, pp. 212–25.
    [Google Scholar]
31. Zylinska, Joanna. ( 2017), Nonhuman Photography, Cambridge, MA:: MIT Press;.
    [Google Scholar]
32. Choi, Suk Kyoung. ( [2021] 2022;), ‘ What happened to the subject? Mediated anticipation in neural painting. ’, Technoetic Arts: A Journal of Speculative Research, 19:3, pp. 301–20, https://doi.org/10.1386/tear_00071_1
    [Google Scholar]