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1981
Volume 13, Issue 1
  • ISSN: 2045-5879
  • E-ISSN: 2045-5887

Abstract

This article was submitted and presented for the 2022 SECAC Conference held in Baltimore, Maryland, from 26 October to 29 October 2022. It inquires about and seeks to challenge several key questions. Provoking thoughtful discussion and delivering new insights into the brave new world of Web3. This article aspires to contribute meaningfully to the academic and professional discourse through analysis and investigation of these topics in the field and how colleagues and stakeholders’ behaviours adhere to or reject them. What is a system? How does the system benefit its participants? How do their actions help the system thrive? Throughout humanity, we have searched for newer and more efficient ways of improving our current systems by adopting new methods. Although the methods of approach change, the behaviour of the participants ultimately shapes the effectiveness of the system. In navigating our art world, understanding the systems of operation is crucial to the decision-making process. This behaviour allows for former systems to have new life through educated forms of physical code (humans) that regenerate those ideals into actions that ultimately reshape the new system into something familiar. That familiarity seems like comfort – but it is the quiet before the storm. Herd collecting will crush the confidence in collecting new artwork because of volatility in the art market. Because once the herd leaves, will the work have any demand?

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2024-10-15
2026-04-21

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References

  1. Allyn, Bobby (2021), ‘People are talking about Web3: Is it the internet of the future or just a buzzword?’, 21 November, https://www.npr.org/2021/11/21/1056988346/web3-internet-jargon-or-future-vision. Accessed 21 November 2021.
  2. Dugan, Kevin T. (2022), ‘How museums are trying to figure out what NFT art is worth’, New York Magazine, https://nymag.com/intelligencer/2022/01/how-museums-are-trying-to-figure-out-what-nft-art-is-worth.html. Accessed August 2022.
    [Google Scholar]
  3. Escalante De-Mattei, Shanti (2022), ‘How NFT collectors are digging in their heels after the Crypto Crash’, ArtNews, 22 September, https://www.artnews.com/art-news/news/nft-collectors-post-crypto-crash-1234640476/. Accessed 30 September 2022.
  4. Marr, Bernard (2022), ‘Web3, NFTs, and the future of art’, 19 August, https://www.forbes.com/sites/bernardmarr/2022/08/19/web3-nfts-and-the-future-of-art/?sh=7f747d581e05. Accessed 19 August 2022.
  5. Whiddington, Richard (2023), ‘“Gamification is the vibe”: How this Web3 platform is turning the NFT trading experience into a playful game of art theft: Stealcam asks its collectors to “steal” NFTs from each other’, Richard Whiddington, 18 May, https://news.artnet.com/market/stealcam-nft-game-2302448. Accessed 18 May 2023.
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  • Article Type: Article
Keyword(s): art systems; behaviour; blockchain; contemporary art; digital tools; Web 3.0
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