Asian Cinema - Volume 36, Issue 1, 2025

This article reassesses Wayne Wang’s Chinese Box (1997) a quarter century after the film’s production with a focus on ‘transition’. It aims to ‘recover’ Chinese Box on different levels, arguing that this complex film is an important historical artefact from the handover period of Hong Kong and a clear film d’auteur to which the director’s vision is the key. In contrast with the cold critical reception of the film at the time of its release, this article posits that Chinese Box is an accomplished work of transnational cinema that, merging fiction and documentary, constitutes a powerful personal reflection on Hong Kong and its diverse communities in a time of flux.

The Baahubali series, produced by Shobu Yarlagadda and Prasad Devineni and directed by Koduri Srisaila Sri Rajamouli, represents a monumental achievement in Indian cinema. It successfully bridged the gap between regional and national cinema, becoming the first regional film to transcend the linguistic and cultural boundaries of the diverse Indian cinematic landscape. While Mani Ratnam’s Roja (1992) and Bombay (1995) were among the early films that achieved pan-Indian appeal with their socially relevant themes and multilingual reach, Baahubali took this concept to an entirely new level. These epic fantasy films, consisting of two parts (Baahubali: The Beginning [2015] and Baahubali: The Conclusion [2017]), combine visual grandeur, emotional depth and unique narrative. Set in the mythical kingdom of Mahishmati, these films follow the rise of a heroic prince named Baahubali amidst themes of treachery, war and love, capturing the imagination of audiences across India and abroad. In this interview, producer Shobu Yarlagadda discusses the origins of the series, its marketing strategies, production challenges and its influence on Indian filmmaking. He emphasizes the strategic collaboration with Karan Johar’s Dharma Productions to boost the films’ visibility in the Hindi market, as well as the innovative deployment of social media and international festivals in attracting a global audience to the films. Yarlagadda also reflects on overcoming financial and technical hurdles, and the films’ unique visual aesthetic and cultural impact. The series’ success has paved the way for increased collaboration between South Indian and Bollywood industries, setting new standards for Indian cinema.

Review of: Studio Ghibli: An Industrial History, Rayna Denison (2023)

London: Palgrave Macmillan, 236 pp.,

ISBN 978-3-03116-846-8, p/bk, GBP 39.99

ISBN 978-3-03116-844-4, e-book, GBP 37.99