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- Volume 12, Issue 1, 2022
Book 2.0 - Volume 12, Issue 1, 2022
Volume 12, Issue 1, 2022
- Editorial
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- Article
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WTWO memoir extracts
By Nigel WhealeReading Proust’s A la Recherche du Temps Perdu again, always a completely immersive experience for me, I was struck again by the way in which the smallest details of that life become resonant, and make the text so eloquent, utterly involving a reader willing to give themselves up to the work. I was inspired to recall distant details of my own childhood in the West Midlands, and then of a period in a place that appears ‘remote’ from the mainland United Kingdom. These are two extracts from what will become a longer memoir, though not stretching to Proust’s twelve luminous volumes.
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- Poetry
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- Dialogue
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‘This Is Who I Am’
Authors: Kalvin Hartwig and Mark TurinThis dialogue between Anishinaabe scholar and filmmaker, Kalvin Hartwig, and board member Mark Turin explores Indigenous identity, language revitalization, reclamation and resurgence and the pernicious legacy of settler colonialism.
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- Article
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Filling in the blanks: The Anti-Cahn Anthology of Alternative Classic and Contemporary Readings in the Philosophy of Education
Authors: Lissa Paul, Adriana Brook, Rebekah Carlsson, Jessica Dieleman, Jessi Skye and Breanne WildeThis article arose as a critical response to the second edition of Classic and Contemporary Readings in the Philosophy of Education (2012) edited by Steven M. Cahn (Oxford: Oxford University Press). Lissa Paul, a professor in the Faculty of Education, Brock University in the Niagara region of Ontario, Canada, assigned Cahn’s anthology as the core text in a postgraduate course she taught in the winter of 2021: ‘The right to education: Historical frameworks’. As the course was designed to interrogate the philosophical grounds of (primarily North American) pedagogical practices, the masculine, Eurocentric biases of Cahn’s anthology mirror those underlying our educational institutions. In response to those biases, the five students in the class addressed Cahn’s errors of both omission and commission by developing something like a prospectus or book proposal for what Lissa dubbed the Anti-Cahn Anthology of Classic and Contemporary Readings in the Philosophy of Education. In this article each student contributes a rationale for the inclusion of someone ‘missing’ from Cahn’s book and suggestions for selections from key texts. Adriana Brook writes on the medieval African-Islamic scholar Ibn Khaldun, Jessi Skye on the eighteenth-century Indigenous philosopher Handsome Lake, Rebekah Carlsson on the famous advocate of early childhood education, Maria Montessori, Jessica Dieleman on the late African American scholar bell hooks and Breanne Wilde on Jules Gill-Peterson and histories of the transgender child.
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- Poetry
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- Articles
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Bridges of hope: IBBY Ireland projects for a changing population
Authors: Debbie Thomas and Tatyana FeeneyMigration and storytelling are defining and entwined features of humanity. Throughout history, people have travelled, in body and mind, exploring new places and ideas either by choice or necessity. Migration establishes cultural connections and imaginative possibilities, like new neural pathways in the collective human brain. This article explores workshops, designed and run in Ireland by children’s author Debbie Thomas and children’s author and illustrator Tatyana Feeney, who have used creative writing and illustration to build bridges between immigrants and Irish nationals, mainly children. We will describe cross-cultural workshops we have facilitated with children around Ireland and then focus on three major projects: Once upon a Folktale and Nation Creation (with children in mainstream Irish primary schools) and Connections (with Syrian refugees). In each project, Debbie oversaw the writing and Tatyana, the illustrations. All three projects have bridged cultures and enriched young participants, teachers and facilitators both culturally and creatively.
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Hebrew letterforms on café signs in Berlin
More LessIsraeli immigration to Berlin has increased significantly over the past decade, giving rise to a nascent Hebrew culture. Consequently, Hebrew letterforms, once seldom found outside the traditional context of synagogues, cemeteries or memorials, are nowadays also found in public spaces and restaurants across the city. While research on Israeli immigration to Germany has greatly increased in recent years, the visual characteristics of this community have, however, yet to be researched. Using two Israeli cafés in Berlin’s Kreuzberg and Neukölln districts as case studies, this article will examine the expression of Israeli cultural identity in the German capital through letterforms. I will argue that the logo designs of both cafés express a connection to Israeli culture in two contrasting ways: on the one hand, a nostalgic connection echoing traditions from the past, and on the other hand, an attempt to maintain a distance from this very culture. Based on interviews with the café owners and a visual analysis of their logos, this article will show how both the café owners strove to express a personal stance in regard to their identity as Israelis through the typefaces and designs used to represent their businesses.
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Families separated and detained at the border: A photo essay
By Leslie GatesThe artist’s book, Families Separated and Detained at the Border, features 10 cyanotypes that visually communicate messages about being detained and separated. The cyanotypes, presented in sheer vellum envelopes, are reminiscent of postcards that one might mail home. However, the haunting imagery suggests the story is not about a vacation, but rather, a desperate situation. The cyanotypes are flanked by a front and back cover using idealistic family imagery. The metal cage and quick links create a strong visual statement in an attempt to document the outrage, sadness, and helplessness the artist feels about thousands of asylum-seekers being held in inhumane conditions at the US/Mexico border.
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A small infinity: Expressing generational trauma through artistic method and experimental form
More LessHow can a narrative work convey more than its conceptual and factual meaning? How does one express not just the details of what happens, but how it feels? A small infinity is a moment of trauma. It is a poetic term that seeks to express the experience of a traumatic event. Often confounding in its dichotomy of understanding, of actuality versus concept, the profundity of trauma is perceived by the survivor as more than its factual happening. Perception and memory occur contrary to empirical notions of time and space, so a trauma narrative should acknowledge the way that the form of a written work is fundamental to the representation of these paradoxical aspects of lived experience. This work is a hybrid text; a compilation of critical text, creative prose and verse created through artistic autoethnographic method. Incorporating theories from Norman K. Denzin and his concept of ‘epiphanic’ or interpretative autoethnographic research and John Van Maanen’s method of ‘impressionist ethnography’, I seek to express the factual research in a creative form that mirrors the difficulty in effecting the translation of experience into text. For this hybrid text, its own form should describe its content to the reader, possessing and projecting the gestalt of its existence. The narrative content follows the form of its topic, and more: the form is the topic. A study of trauma. A collection of traumas. A map of each small infinity.
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- Poetry
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- Book Review
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On Seamus Heaney, R. F. Foster (2020)
By Jim ButlerReview of: On Seamus Heaney, R. F. Foster (2020)
Princeton, NJ and Oxford: Princeton University Press, 248pp.,
ISBN 978-0-69121-147-3 h/bk, £14.99
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